Category Archives: Matthew Denniss Studio Blog

The Tetley Open: Artists’ Film

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I’m pleased to be showing The Turing Suite in a film screening at The Tetley in Leeds. The film screening will feature work by artists from the North of England. It is on the 11th of November from 6 -8 pm and is a free event.

The Turing Suite was made in collaboration with We Are Willow.

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21st Rogue Open Studios

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Public Preview: Friday 14th October, 6-9pm

Open: Saturday 15th and Sunday 16th October, 12-5pm / FREE

Rogue Artists’ Studios, 66-72 Chapeltown Street, Manchester, M1 2WH

Rogue Artists’ Studios is celebrating its 21st anniversary with what will be its last Open Studios at Crusader Mill.  A highlight of Manchester’s art calendar, the annual weekend-long event offers members of the public, curators and collectors the opportunity to meet some of Manchester’s most exciting emerging and established artists.

Currently home to 90+ contemporary artists Rogue is the largest artists’ studio community in the UK outside of London.  But as Rogue announce a series of projects to mark its 21st anniversary, the artist members are still to secure a new home ahead of December when their lease ends.

Spanning all forms of visual art from painting, sculpture, photography, installation, performance and more, visitors are welcomed to the two-day event when the artists’ throw open their doors.

In addition, Rogue Project Space will present Excuse Me While I Am Changing, an exhibition of new works by artists Matthew Bamber, Linda Hemmersbach, Hannah Leighton-Boyce, and Michelle Shields. Curated by Lucy Harvey, the exhibition presents works which respond to the shifting and liminal spaces which surround Rogue Artists’ Studios.

Rogue Cinema will also present a programme of short artists films and moving image works.

*Unfortunately Rogue Studios is only accessible by several stairwells.

For press enquiries please contact Jennifer Dean on j.dean06@gmail.com

The Manchester Contemporary 2016

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I’m showing some new work at The Manchester Contemporary with Object / A.

Details as follows:

OBJECT / A (Stand 330)

Old Granada Studios
St John’s
Quay Street
Manchester
M3 4PR

Private View (Invitation Only): Thursday 22 September 16:30 – 17:30
Preview: Thursday 22 September 17:30 – 21:00

Friday 23 September 11:00 – 18:00
Saturday 24 September 10:00 – 18:00
Sunday 25 September 10:00 – 17:00

Use code “TMC2016” to get complimentary tickets to The Manchester Contemporary.

My work is supported by Castlefield Gallery’s New Art Spaces.

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More on New Art Spaces:

Castlefield Gallery’s New Art Spaces (NAS) is an initiative to create dynamic project spaces for artists, artist collectives and artist development agencies. Making use of temporary vacant retail, office and light industrial units, NAS provides opportunities for emerging creatives to incubate their practices, produce work and showcase new art to local communities. Currently CG runs New Art Spaces in Chorlton, Leigh and Bolton.

Suburbia

#suburbia #oilpastel #drawing #detail

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The Kármán Line at Object / A (Documentation)

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New Art Spaces Chorlton Open Day

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The Kármán Line at Object / A

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The Kármán Line
Matthew Denniss / Tom Ireland / Michael Mulvihill

16 April – 28 May 2016 (Preview: Friday 15 April 18:00 – 21:00)

The Kármán Line presents new and recent works by Matthew Denniss, Tom Ireland, and Michael Mulvihill.

With the onset of the Space Race in the 1950s, the USA and the Soviet Union’s rivalry in space exploration led to the calculation of the point which marks outer space – the “Kármán Line”. Its location 100 km (62 miles) above the Earth’s surface is the altitude at which outer space starts; to pass the “Kármán Line” turns a pilot into an astronaut.

The Soviet Union’s launch of Sputnik 1 on 4th October 1957 marks the advent of the Space Race, the Cold War contest between the USA and the Soviet Union. Sputnik 1’s orbit of the Earth until January 1958 led to an increase in space exploration in the 1960s with the cosmonaut Yuri Gagarin’s voyage into space in April 1961 in which he crosses the “Kármán Line”.

In The Kármán Line each artist presents works which cite ideas about the Space Race. Michael Mulvihill’s The Pursuit of Happiness (2014) is a Traffolyte panel which comprises a constellation of Cold War individuals such as anonymous Soviet cosmonauts; RAND Corporation economists such as Henry S. Rowen and Charles J. Hitch; US politicians such as Robert McNamara and Alain Enthoven; as well as Wernher von Braun, the inventor of Nazi Germany’s V-2 rocket and the USA’s Saturn V. Since the 1940s the RAND Corporation has been a catalyst in US policy on the Space Race in the context of fighting a future nuclear war with its early reports on satellite development. In The Pursuit of Happiness Mulvihill represents a multitude of participants in the Space Race which accentuates the multiplicity of positions that shape Cold War ideology.

Tom Ireland’s TRAILER (the_heavens) (2016) is a video loop in which Jeff Koons’ Rabbit (1986) appears, floating through outer space, approximately 1500 light years from Earth in the constellation of Orion. Ireland conceives of Rabbit, with its polished stainless steel surface reminiscent of the metallic veneer of NASA’s Echo balloons (1960) and the shiny sphere of Sputnik 1 (1957), as a cryptic satellite that silently moves through the universe. Rabbit is cast as an embodiment of transcendence and Ireland aligns the ruthless physicality of the object with a human quest to explore beyond our terrestrial limits.

In works on paper such as Untitled (043x-yjik-xe) (2016) Matthew Denniss sources archival photographs which he prints onto acetate then projects onto a wall in order to trace the photograph. He then overlaps this with another more abstract image. Hundreds of pen marks are densely built up to create a new interpretation of the photograph as one whose deterioration over time impacts its physicality. In Untitled (043x-yjik-xe) Denniss combines a photograph of an astronaut in a spacesuit prior to a launch with the interior of a space shuttle. Denniss’ process results in works in which the layers of marks serve to disrupt the photographs’ visual data as the pen marks serve to conceal clues to the photographs’ provenance.

Matthew Denniss [BA (Hons) Fine Art, Goldsmiths College (2006)] lives and works in Manchester. Recent exhibitions include NORTH (2015), Warrington Contemporary Arts Festival, Warrington;Film Material (2015), BEEF, Bristol; NN Contemporary Open (2013), NN Contemporary, Northampton; and Broomhill National Sculpture Prize (2013), Broomhill Art Foundation, Devon.

Tom Ireland [BA (Hons) Fine Art, Cumbria Institute of the Arts, Carlisle (2006)] lives and works in Blackpool. Recent exhibitions include Modern History Vol. II (2015), The Atkinson, Southport; They Used to Call it the Moon (2014), BALTIC Centre for Contemporary Art, Gateshead and BALTIC 39, Newcastle; and Strabismus: Exhibition as Cinema (2013), The Lombard Method, Birmingham and Mexico Project Space, Leeds. He is represented by OBJECT / A.

Michael Mulvihill [MA Fine Art Northumbria University, Newcastle-upon-Tyne (2002)] lives and works in Gateshead. Recent exhibitions include The Means and the Instruments (2015), Northern Gallery for Contemporary Art, Sunderland; 4th Ghetto Biennale (2015), Port-au-Prince, Haiti;They Used to Call it the Moon (2014), BALTIC Centre for Contemporary Art, Gateshead and BALTIC 39, Newcastle; Tip of the Iceberg (2013), Contemporary Art Society, London; and Luminous Language (2013), Launch F18, New York, USA. He is represented by Vane, Newcastle.

Matthew Denniss

Tom Ireland

Michael Mulvihill

The Kármán Line is supported by Castlefield Gallery’s New Art Spaces.

Paint sponsor:

Farrow & Ball